"Tassels" - 8"x10" - Scratchbaord Art |
Thursday, December 15, 2011
"Tassels"
An 8"x10" board that I worked on this week. The tassels are put on the bridle as decoration and are often seen on bridles that were historically used as decorative attire for the horse for fancy events. They may go back historically as a form of fly preventative to keep insects out of the horses eyes, but I could be wrong about that too :) This quarter horse I photographed at a junior rodeo and I thought the tassels and fancy bling buckle made it visually interesting. The original is available for sale. e-mail me at cathy@aphelionart.com if you are interested in more information about it.
Thursday, December 8, 2011
Great article by Jim Bortz - Talent...or Skill?
I am reposting with his permission a great blog posting by Jim Bortz, a fellow wildlife artist. You can check out his blog at: http://jimbortzart.blogspot.com/
Talent... or Skill?
by Jim Bortz
When someone tells me that I’m “talented,” I know it’s a term of admiration… though unknowingly misguided. Don’t admire my talent, for it is such a small part of what I do. Admire my dedication, skill, and sacrifice. Those are the qualities of which I’m most proud.
It starts out innocent enough. Someone at a show or exhibit will be gushing over my work, tossing complements about like rice at a wedding (no one throws rice anymore, do they?) and all but making me squirm with at having to say “thank you” so many times. Then the words come out that make my blood boil. “I wish I had your talent. This must come naturally to you.” Really? Like I eat a couple of tubes of paint for breakfast every morning and crap out finished 12x16 canvas later the same night (never mind how painful that might be. Or the fact that if it were physically possible to “shit out a painting”, the “important” galleries in London, LA, and New York would be fighting over my so-called “art.” But I digress). And I know they mean nothing hurtful by these words, so I just smile and nod hoping they don’t notice my white knuckles as I grind a fist into my leg. If they only knew the mind-boggling stack of past failures it took to get here and the paralyzing knowledge that there are many more failures to come... the years of study and frustration to achieve a level of competence where I wouldn’t throw up at the thought of showing my work in public... the amount of research and planning it takes before I ever dip a brush in paint.
I love what I do, but there is no “magic” in the process. It’s simply work. Not the kind of work you do with a wrench or shovel. I’ve done plenty of that in my time. And not unpleasant work, but a continual task of study, experimentation, evaluation, and then application of a learned knowledge. It’s a skill… not a talent. The magic happens when someone stands in front of a painting and says something like, “I’ve been there” or “I can almost smell that water.” Now that’s magic!
I don’t deny that it’s possible (maybe even necessary) talent may play a part in the stages of artistic development. For as long as I can remember, I’ve had an obsession with drawing. Still, I didn’t understand much about it until I started studying the work and teachings of others who were highly skilled at the craft. To dismiss what any skilled craftsman or woman does as some whimsical gift by a higher power is an insult (though it’s almost never intended that way).
There will always be folks that disagree with me on this subject (though very few of them are professional artists), and that’s okay. I’m not really hoping to change anyone’s mind. These merely the ramblings of my own tormented mind (discussed in an earlier post). It’s fine that there is some mystery to art. It adds an element of romantic notion to what I do. But I’d much rather that romance be directed toward the finished piece than any mistaken enchantment in its creation.
Cathy's thoughts on the topic:
I am re-posting because it is a topic that I have almost posted about myself several times, but never been able to figure out quite how to do so without offending. I get told that I am "so talented" often with both my photography and my artwork in recent years and each time it causes a bit of a clenching of my jaw. I know it is a well meaning comment, but the term talent indicates that the skills you see before you are something that someone was born with, not requiring further development, and I know that is only a very small part of it. And yes I am talented, but it is maybe 1% of what makes me the artist that I am. As a matter of fact throughout high school I was little more than an average artist, but I enjoyed it and I pushed myself to improve through practice and seeking honest and constructive feedback and learning from those who were more skilled than me. I have literally spent 20 to 40 hours a week for over 10 years learning my artistic skills. I have messed up many drawings and deleted hundreds of thousands of bad photos, but through it all I have taken my 'talents' and learned and honed my skills, and honestly I still am still learning and still honing :) I learn new things with ever work that I create. Yes, it is nice to be talented, to have a natural affinity for something, however like most artists (or top sports figures, or world class musicians) talent will only take you a little ways by itself. To truly become a good or even great artist requires much more than talent - it requires sweat, tears, and MANY hours of hard work. I once heard an art teacher say that they would much rather have one hard working student than ten talented, but lazy ones (and that the hard working one will usually go further with their art in the long run that the talented one), so go forth, work hard and prosper, with or without any natural talent!
My thanks to Jim for allowing me to re-post his article.
Talent... or Skill?
by Jim Bortz
When someone tells me that I’m “talented,” I know it’s a term of admiration… though unknowingly misguided. Don’t admire my talent, for it is such a small part of what I do. Admire my dedication, skill, and sacrifice. Those are the qualities of which I’m most proud.
It starts out innocent enough. Someone at a show or exhibit will be gushing over my work, tossing complements about like rice at a wedding (no one throws rice anymore, do they?) and all but making me squirm with at having to say “thank you” so many times. Then the words come out that make my blood boil. “I wish I had your talent. This must come naturally to you.” Really? Like I eat a couple of tubes of paint for breakfast every morning and crap out finished 12x16 canvas later the same night (never mind how painful that might be. Or the fact that if it were physically possible to “shit out a painting”, the “important” galleries in London, LA, and New York would be fighting over my so-called “art.” But I digress). And I know they mean nothing hurtful by these words, so I just smile and nod hoping they don’t notice my white knuckles as I grind a fist into my leg. If they only knew the mind-boggling stack of past failures it took to get here and the paralyzing knowledge that there are many more failures to come... the years of study and frustration to achieve a level of competence where I wouldn’t throw up at the thought of showing my work in public... the amount of research and planning it takes before I ever dip a brush in paint.
I love what I do, but there is no “magic” in the process. It’s simply work. Not the kind of work you do with a wrench or shovel. I’ve done plenty of that in my time. And not unpleasant work, but a continual task of study, experimentation, evaluation, and then application of a learned knowledge. It’s a skill… not a talent. The magic happens when someone stands in front of a painting and says something like, “I’ve been there” or “I can almost smell that water.” Now that’s magic!
I don’t deny that it’s possible (maybe even necessary) talent may play a part in the stages of artistic development. For as long as I can remember, I’ve had an obsession with drawing. Still, I didn’t understand much about it until I started studying the work and teachings of others who were highly skilled at the craft. To dismiss what any skilled craftsman or woman does as some whimsical gift by a higher power is an insult (though it’s almost never intended that way).
There will always be folks that disagree with me on this subject (though very few of them are professional artists), and that’s okay. I’m not really hoping to change anyone’s mind. These merely the ramblings of my own tormented mind (discussed in an earlier post). It’s fine that there is some mystery to art. It adds an element of romantic notion to what I do. But I’d much rather that romance be directed toward the finished piece than any mistaken enchantment in its creation.
Cathy's thoughts on the topic:
I am re-posting because it is a topic that I have almost posted about myself several times, but never been able to figure out quite how to do so without offending. I get told that I am "so talented" often with both my photography and my artwork in recent years and each time it causes a bit of a clenching of my jaw. I know it is a well meaning comment, but the term talent indicates that the skills you see before you are something that someone was born with, not requiring further development, and I know that is only a very small part of it. And yes I am talented, but it is maybe 1% of what makes me the artist that I am. As a matter of fact throughout high school I was little more than an average artist, but I enjoyed it and I pushed myself to improve through practice and seeking honest and constructive feedback and learning from those who were more skilled than me. I have literally spent 20 to 40 hours a week for over 10 years learning my artistic skills. I have messed up many drawings and deleted hundreds of thousands of bad photos, but through it all I have taken my 'talents' and learned and honed my skills, and honestly I still am still learning and still honing :) I learn new things with ever work that I create. Yes, it is nice to be talented, to have a natural affinity for something, however like most artists (or top sports figures, or world class musicians) talent will only take you a little ways by itself. To truly become a good or even great artist requires much more than talent - it requires sweat, tears, and MANY hours of hard work. I once heard an art teacher say that they would much rather have one hard working student than ten talented, but lazy ones (and that the hard working one will usually go further with their art in the long run that the talented one), so go forth, work hard and prosper, with or without any natural talent!
My thanks to Jim for allowing me to re-post his article.
Wednesday, December 7, 2011
Scatter - Magpies - FINISHED
Monday, December 5, 2011
Updates on Works In Progress
Well last time I tried to sign in blogger was down, so I am glad it is working again.
My art web site has officially now moved to http://www.cathysheeter.com/ and has a new color scheme and some other changes to the layout. Please check it out and let me know what you think. My photography will stay at http://www.aphelionart.com/ and hopefully I will get that too updated by early next year (not easy to sort through 500,000 photos on three different hard drives and decide which images are my best!)
I continue to have multiple art works on the go.
I am getting close to done on the black and white portions of "Coming At Ya" (36"x24") though still doing some 'tweaking' all over to get everything the way I want it. I'm actually going to hold off coloring it as I have heard from an outside source that I was accepted into a show that I will need a large, impressive, black and white piece for, and I am not sure whether I will have time to make another one between now and that event. I should hear officially in January (and I don't think my outside source knows 100%, so not expecting either way). If it does not get into that show I will be doing some subtle color on it.
Anyways here is a picture from a last week (I have done a bit more since then, but it is snowing outside, so can't get a good updated picture right now). Still a ways to go though.
I also have been working on a piece with a couple of Black Billed Magpies. While not really a favorite bird to many, I really enjoy all of the corvid family (crows, ravens, magpies). Even though they are scavengers they seem to have a true sense of humor and intelligence. While not as beloved as the birds of prey to me, I still really enjoy them. I am temporarily calling this work "Scatter" as a title, but not sure if that will be what I go with. Size is 18"x16" and it has been a bit of an experiment. Not only is the background more 'contemporary' than my usual works, but it also has some iridescent medium added to the colored feathers, so they truly do have a bit of iridescence to them from different angles. I was a little worried that it would make it look cheesy but it actually is quite subtle and nice I think. It is not quite done yet, but it too is fairly close.
And when I need a break from scratching I return to my harris hawk wood burning. Many people really like how this piece is going so I will definitely finish it, just not quite sure when :) I find burning to be even slower than scratching and also shading large areas starts to hurt my fingers a bit. I hope to finish it by April to possibly enter it into "Birds In Art" Size is 18"x24"
I also heard back that I will be included in the Colorado Governor's Show again in 2012. I did very well at this show last year and am excited to be included again this coming year. I believe the opening is April 28.
My art web site has officially now moved to http://www.cathysheeter.com/ and has a new color scheme and some other changes to the layout. Please check it out and let me know what you think. My photography will stay at http://www.aphelionart.com/ and hopefully I will get that too updated by early next year (not easy to sort through 500,000 photos on three different hard drives and decide which images are my best!)
I continue to have multiple art works on the go.
I am getting close to done on the black and white portions of "Coming At Ya" (36"x24") though still doing some 'tweaking' all over to get everything the way I want it. I'm actually going to hold off coloring it as I have heard from an outside source that I was accepted into a show that I will need a large, impressive, black and white piece for, and I am not sure whether I will have time to make another one between now and that event. I should hear officially in January (and I don't think my outside source knows 100%, so not expecting either way). If it does not get into that show I will be doing some subtle color on it.
Anyways here is a picture from a last week (I have done a bit more since then, but it is snowing outside, so can't get a good updated picture right now). Still a ways to go though.
"Coming At Ya" - Palomino Quarter Horse - 36"x24" |
I also have been working on a piece with a couple of Black Billed Magpies. While not really a favorite bird to many, I really enjoy all of the corvid family (crows, ravens, magpies). Even though they are scavengers they seem to have a true sense of humor and intelligence. While not as beloved as the birds of prey to me, I still really enjoy them. I am temporarily calling this work "Scatter" as a title, but not sure if that will be what I go with. Size is 18"x16" and it has been a bit of an experiment. Not only is the background more 'contemporary' than my usual works, but it also has some iridescent medium added to the colored feathers, so they truly do have a bit of iridescence to them from different angles. I was a little worried that it would make it look cheesy but it actually is quite subtle and nice I think. It is not quite done yet, but it too is fairly close.
"Scatter" - Black Billed Magpies - 18"x16" |
And when I need a break from scratching I return to my harris hawk wood burning. Many people really like how this piece is going so I will definitely finish it, just not quite sure when :) I find burning to be even slower than scratching and also shading large areas starts to hurt my fingers a bit. I hope to finish it by April to possibly enter it into "Birds In Art" Size is 18"x24"
"Landing Gear Engaged" - Harris Hawk Pyrography (wood burning) on birch plywood |
I also heard back that I will be included in the Colorado Governor's Show again in 2012. I did very well at this show last year and am excited to be included again this coming year. I believe the opening is April 28.
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