Showing posts with label tools. Show all posts
Showing posts with label tools. Show all posts

Thursday, January 28, 2010

Talkin' About Tools


I asked on facebook what people would like to see me discuss on this blog and the topic of tools was one that many people were interested in.

There are MANY tools that can be used on scratchboard, and your imagination is the limit.  I have scratched with a bobbi pin, spoon, dremel bits, electric eraser, pencil eraser, heck... you could even use a screw!  Anything that will remove the top layer of ink can be used :)

But I am going to touch on my primary tools that I keep in my tool box, both how to use them and where to get them.



LINE TOOLS
First we are going to talk about line tools.  The vast majority of MY work is done with the line tools, which I have photographed above.  I use them for fur, eyes, tongues, leather... well just about everything!  The fiberglass brush is not really a line tool, but I will get into its use in a moment.  The rest are used for... well lines :)  You really can get a very long ways in scratchboard with just a standard #11 exacto and for a very long time it was the only tool I used.  Older works of mine, such as "Dress Attire" were done all with an exacto.  You can see that even with just this one tool I was able to do a lot of different textures and shading.



















In more recent years I have added to my tools to give more diversity in line width.  About two years ago  I got turned onto speedball scratchboard tips #112 and 113, which are available from http://www.danielsmith.com/.  These two tips produce wider lines than the exacto and are great for course fur and whiskers!  Then about 10 months ago I started working with a scalpel which yields finer lines than the exacto.  The blade is not as stiff as an exacto blade and required some getting used to.  The diversity of line widths that can be produced with these four tools adds to the realism of my work since fur does vary in texture and coarseness, and realistically I rarely reach for my exacto anymore, mostly using the speedball and scalpel blades.  Exacto blades can be purchased at any tool or craft store and scalpel blades at any medical center or veterinary supplies store (or many sources online as well).

Like all cutting tools, blades will get dull after some use.  You can resharpen some of these tools, but others you will just need new ones.  Since exacto and scalpel blades are pretty inexpensive I usually just replace them if dull.  You can tell if a blade is dull if it requires a moderate amount of pressure to remove the ink or is skipping.  For most of these tools only very light pressure should be needed to remove the ink.

SHADING TOOLS
As I said before you can get a long ways with just line tools, but there are certain effects that are tough to do all with lines.  Fortunately, unlike pen and ink, we have some additional tools that yield some softer effects than just lines.  The challenge with all of the shading tools is control, as they don't allow the finesse of the line tools.  At times masking off finer scratched areas may be required.

Sandpaper/foam nail buffer can take off a light layer of ink, but leave a toning of dark underneath with a fairly soft look to it.  Used in straight lines they yield a different feel and look than if used in a circular pattern.  For both tools use fine grit, as the courses grits leave an uneven look and feel.  Both of these will fill up with ink after a bit of use, so you will need to have multiple pieces on hand.  You can usually rip or cut sandpaper and use scissors to cut the nail buffers into the size/shape you want.  Sandpaper I purchase at hardware stores and nail buffers in the beauty supply section at the local grocery store.

Steel wool can be used for certain fur effects as well as shading.  It comes in several coursenesses and I personally prefer to only use the fine and medium.  Always make sure your steel wool does not have any oils or coatings on it.  It can be purchased where ampersand products are sold or hardware stores.

Fiberglass brushes can come in a variety of sizes.  I only use the very small and small sizes.  You will also find that different brands have different hardnesses to their bristles.  I primarily use a very small one that I buy from http://www.micromark.com/.  This tool requires some practice to get down and the tiny bristles will break off and can embed in the side of your hand (ouch!)   Gloves can help, but those bristles are so tiny they go through most fabrics as well.

Adding to the Supply Box
Another item to add to the supply box is black repair ink.  I use it for ink washes to tone down areas that are too light or can be used in concentrate to totally get rid of something.  I apply it with a small, inexpensive paint brush.

Here is a sample of the different thicknesses of lines from each tool.  The furthest left is applied with minimal pressure (to yield the thinnest line I can) and the right is with heavier pressure (to give a thicker line from each tool).  The dime is for size comparison.











And here is a close up on the mountain lion's legs with indication of what tools were used in each area... and some areas have more than one tool used in any specific area.














If you have additional tool questions please post them as a comment and I will try and address them.

Wednesday, December 16, 2009

Scratching Short Fur

Since most of my subjects are animals I am going to go into a bit more details on how I scratch short fur to create a realisitic look to it.

Steps 1-3 are done with a #11 craft knife or scalpel (depending how fine you want your lines to be).

1. I start out with light weight lines that are nearly parallel in structure. These lines go with the direction of the fur and will create the foundation for the fur direction.  Following fur direction is very important to help give the correct shape to the animal and realism to the piece.

2. Then I add hairs that are out of alignment and cross over the parallel hairs, some straight and some with slight curve or curl at the end. Since fur does not stay in perfect alignment this gives it a more natural look.  The longer the hair the more it will cross.  Short smooth hair will be close to parallel (only deviating maybe 3-5 degrees from the other hairs), while long hair will have much more crossing (many different angles).

3. Adding another layer of hairs with slightly more x-acto/scalpel pressure to make somewhat heavier lines if the area is a light value, once again following the general fur direction, but deviating some as well.  (Note if leaving an area darker I don't do steps 3 or 4)

4. Occasionally, if the hair is coarse, I go back with the pointed speedball tip and add thicker hairs over the thinner lines.












Steps 1-3 are done all very quickly and I work the overlapping lines all at the same time rather than doing it in actual separate layers, as shown here. If done enough it becomes very natural and simple.  The above is much larger than in real life as well, just to show more clearly how I work.  In realty each of these areas would be very small.

When done over the whole animal it gives a natural 3-D look with tonal variation, fur direction and a depth that is very realistic.


Friday, December 4, 2009

Resources for scratchboard artists

I often get questions regarding various topics on scratchboard from tools to transfer papers- so below are the answers to some of those common questions.

Best place to learn about scratchboard and get feedback on your scratchboard work -  Wetcanvas! Scratchboard Art Forum - wetcanvas is a free online art community with forums that cover all topics and all mediums.  There is a very active scratchboard forum with some outstanding scratchboard artists that are very helpful and full of good advice.  The members are from all over the globe too!

My favorite brand of scratchboard - as far as I am concerned there is ONLY one brand of scratchboard and it is made by ampersand.  It can be found online through various artist web sites including ASW Express (good prices and inexpensive shipping in the US). Unfortunately it is only available in the US, but I know many artists that spend the $$ to get it shipped to them overseas.

What tools I use - scalpel blades #11, exacto blade #11, speedball scratchboard tip #112 and 113, very small fiberglass brushes, fine grit sandpaper, oil free steel wool

My favorite transfer paper - Super Chacopaper (many sources online and can also be purchased at Michaels craft stores)

Where to get free photos that can be used by artists as references? - I primarily work from my own photos, but if you are not a photogapher and/or can't find what you are looking for check out Stock Exchange, Morgue File, Wetcanvas! Reference Library (must be a member of wetcanvas to access), Flickr Creative Commons (scroll down to the bottom and click all of the boxes by creative commons images to be used commercially and adapted).  I always recommend sending a photographer a note asking permission before using a photo, even if the site gives permission.  It is always better to have permission in writing if you are going to use an image for your art that you plan to sell than face problems later on.

Wednesday, November 18, 2009

More on "Brotherhood"

Continuing on in my journey with the pair of wolf brothers.  Still a long ways to go...



Want to know what tools I have use?

So far in this piece I have used quite a range of tools and blades...
#11 scalpel blade (very fine lines)
#11 exacto blade (fine lines)
ultra micro fiberglass brush (soft fur effect)