Calling All Scratchboard Artists

I wanted to let you know about a scratchboard show we are holding in California this summer as part of the newly formed International Society of Scratchboard Artists. We would LOVE to have any scratchboard artist that is interested submit their work. Please check out the prospectus at: http://www.scratchboardsociety.com/exhibition2012.html The deadline for entering was extended to May 1, so kind of last minute, but we are really hoping to add more quality work to the show than what has been submitted so far, so I hope you will consider entering. There is over $1000 in prize money to be won! You do not have to be an ISSA member to submit or attend the event to win.  Artwork does not have to be recent.

Overhauling an older work

Every artist has created them... those works that are... meah...ok, but just no matter how much you work on them they are not really quite 'there', something just isn't pushing your buttons about the work.  I've had my share of them too.  Sometimes they are something I start and end up stopping in the middle and hiding them away, other times I 'complete them' but they still just are not really quite there.  When I have a work like that I stick it in my flat file... out of sight, but I don't varnish them.  Sets of artwork come and go from the files, finished and varnished, finished and varnished... and the unhappy works sits, unvarnished...out of sight, but not out of mind.  Well in some cases these works are black and white works and sometimes a change in the form of adding color is the needed ticket to help give them new life. 

Such is the case with 12"x12" board that I had titled "Takin' A Lickin' " when I completed it in Dec. 2010.  So it has sat in my files for about 16 months... waiting for something more.

So colored it got yesterday (in between working on the big horse).  I do think it improved it quite a bit and gave more dimension to the work.  Still doing very minor edits to it now.  Some may not agree that it is better in color, but the reality is I am the artist, so I get to choose :D 



"Takin' A Lickin'" - 12"x12" - Scratchboard and Ink

Go Big Or Go Home :)

I started my largest scratchboard to date - a 30"x40" board.  I have done several 24"x36" boards (including Comin' At Ya' and In Hot Pursuit), but not only is this board larger, but also it started out as clayboard, which is scratchboard without any black ink on it (so the white clay board).   

So I pulled out the airbrush and made a mask of the area I wanted black and blasted it with black ink.  Ink sprays very nicely through an airbrush, but I am admittedly not very good with the airbrush for anything more than very simple things (like this).  I have not found out that the black ink I used is not nearly as water resistant as what the regular scratchboards are sprayed with, so definitely finding some drawbacks with this ink. 

Anyways  Not really TOO far along yet, and of course it will look much better once he has some scratching on the face, but I am having fun with the shiny coat.  The horse is a handsome friesian stallion named Tettrino van het Kasteel that I photographed a couple of years ago.  He resides at Kasteel Farm.

Here is a rather poor photo of the board.  Hopefully a better photo to follow.

Time is A Flyin'!!

Already 1/4 of the way in to the year - how incredible that is!  And the rest of the year will not include any slowing down :)  I just got an events calendar of where my work will be and this list will only be growing as I hopefully get juried in to even more shows.  You can see my calendar of events at: http://www.cathysheeter.com/events.html

I have finished "In Hot Pursuit" and have started two new paintings.

"In Hot Pursuit" - 36"x24" - scratchboard and ink

If you are a scratchboard artist please consider submitting work to the 1st Annual International Society of Scratchboard Artists (ISSA) exhibition.  Deadline for entry is April 25.  You can find the prospectus at: http://www.scratchboardsociety.com/exhibition2012.html  You DO NOT have to be a member of ISSA to submit work.  You also do not have to attend the opening!   The opening will be July 7 in Glen Ellen, CA and the two days after the show opening will be demos and workshops.  You can find that info at: http://www.scratchboardsociety.com/workshops.html

Next weekend will be the opening for the Colorado Governor's Show in Loveland.  You can preview my work and other artists works on their web site at http://www.governorsartshow.org/  If you are in the Loveland, CO area April 29 to June 10 please stop in at the Loveland Museum and check out the show, as it is always full of very nice work.

I also have two works that will be hanging in a booth hosted by the Society of Animal Artists at the  World Championship Wildfowl Carving Competition and Art Festival in Ocean City, MD hosted by the Ward Museum.  This event is only a weekend long - April 27-29, so if you live in that area stop by that booth and check it out.

Finished bear painting

I finished the bear painting.  And yes the butterfly is gone :)  You can see it at 100% detail on my web site at: http://www.cathysheeter.com/Zm-onthewind.html

"On The Wind" - 18"x24" - Oil Painting on Claybord

A painting we will go...

So here it is spring time, which means BUSY time in the art world!  I swear I have an art deadline like every other day... if not applying, then mailing, sending in some needed paperwork, filling out some form, etc!  Not all that easy to stay on top of it for a disorganized person like me.  I try to get all the dates into my ipad calendar program, which helps quite a bit, but it still seems overwhelming at times!!  This week two deadlines, next week two more deadlines, ship work for another event, and fill out and mail paperwork for a third!! 

I just found out that 'Napoleon', the sunbird painting, was selected for Art of the Animal Kingdom Exhibition in Bennington, VT. 

I am still working on my third painting.  I am kind of ready to be done with it and move on to something new, but it is not quite done.  Here is is right now.  There has been a big debate everywhere that I post it about the butterfly, and whether it should go away or adds to the work.  It is about a 50/50 split of people that feel either way (and feel strongly!)...LOL  I am still working on the foreground.

18"x24" Oil Painting - Work In Progress

In Hot Pursuit - Work In Progress

Since I finished the big horse "Comin' At Ya" I started another one.  It is coming along quite quickly so here is the progress on it. 

The start of the board (this is about 1/3 of the board)

Progressing nicely (about 2/3 of the board)

This is the whole board - 36"x24"

Where I leave this board at as of today :)

Coming At Ya - Calling It Done

I am also calling this one pretty much done.  I might still 'tweak' a few things, but not much more I think.

35.75" x 24" (bottom edge has a ding so I will cut it off) which makes it pretty close to life sized for a horse's head I believe.  I will be laying out another 'big' board this week I believe.  It is colored with mostly Ampersand Inks.

Bighorn Ram

I just completed a piece of a Bighorn Sheep Ram.  I took my reference photos this past fall during their rut.  It was a COLD day with light snow falling and heavy overcast and although I was hoping to capture some impressive head butting behavior they were more interested in sleeping in.  Over several hours of watching I only once saw two young rams hit heads once...sort of... barely... LOL  That is just how it is sometimes when you are trying to take photos.  Finally one larger ram (the one in my art) did come over the hill and follow two females toward me. 

It was a fun and unique challenge figuring out how to create the texture of the horns.  Most of it was completed with the fiberglass brush.  I use this tool quite a lot for textures that are not fur (and even for fur sometimes).  Another challenge was that not only do they have the rings growing horizontal on the horn, but they also have striation that runs vertically on the horn. 

If you want to see the up close details you can check out the zoomify version on my web site.  It does require flash, but click and it will zoom you in so that you can see every scratch!  At least 80% of the work on my web site has this function because I think it is so cool! 

Wayward artist

Well I tried posting about a month ago and blogger was down... honestly I did not mean to go so long between postings!  I will try to do better in 'all my free time' (haha).

I have completed the pair of wolves that I had going on here as a WIP and titled it "Mouthing Off".  

"Mouthing Off" - 16"x20" Scratchboard and Ink



















I also completed a smaller wolf piece recently. 


"Just A Glance" - 11"x14" - Scratchboard and Ink



In January I started an oil painting class at the Art Student League of Denver with artist Rob Gratoit.  My first 'assignment' was to paint something that appeared abstract, but actually exists in real life (such as an aerial photo, the insides of a mineral, etc.)  I chose to paint a photo I took of Sand Dunes National Park many years ago (way back with my 2 megapixel camera!).  Anyways at the end I decided to add a pair of gemsbok oryx to it :)  Not so abstract after all.  It turned out... ok... not bad for a first painting, but I wasn't totally happy with it either.  Not up to my standards I guess you could say.

Anyways I started my second painting before going to my next class because I didn't want to do another abstractish thing... I wanted to paint animals of course!  I chose to go with one of my photos from South Africa of a male collared sunbird, which has lots of colors and iridescent feathers on its head.  I am pretty sure my instructor thought I was jumping way too far ahead, but I would rather paint something I was interested in than not...LOL  Anyways it came out great I think.  Now onto the next one... a grizzly bear I think.

"Napoleon" - 18"x24" oil painting on claybord

"Tassels"

An 8"x10" board that I worked on this week.  The tassels are put on the bridle as decoration and are often seen on bridles that were historically used as decorative attire for the horse for fancy events.  They may go back historically as a form of fly preventative to keep insects out of the horses eyes, but I could be wrong about that too :)  This quarter horse I photographed at a junior rodeo and I thought the tassels and fancy bling buckle made it visually interesting.  The original is available for sale.  e-mail me at cathy@aphelionart.com if you are interested in more information about it.

"Tassels" - 8"x10" - Scratchbaord Art

Great article by Jim Bortz - Talent...or Skill?

I am reposting with his permission a great blog posting by Jim Bortz, a fellow wildlife artist.  You can check out his blog at: http://jimbortzart.blogspot.com/

Talent... or Skill?
by Jim Bortz


When someone tells me that I’m “talented,” I know it’s a term of admiration… though unknowingly misguided. Don’t admire my talent, for it is such a small part of what I do. Admire my dedication, skill, and sacrifice. Those are the qualities of which I’m most proud.


It starts out innocent enough. Someone at a show or exhibit will be gushing over my work, tossing complements about like rice at a wedding (no one throws rice anymore, do they?) and all but making me squirm with at having to say “thank you” so many times. Then the words come out that make my blood boil. “I wish I had your talent. This must come naturally to you.” Really? Like I eat a couple of tubes of paint for breakfast every morning and crap out finished 12x16 canvas later the same night (never mind how painful that might be. Or the fact that if it were physically possible to “shit out a painting”, the “important” galleries in London, LA, and New York would be fighting over my so-called “art.” But I digress). And I know they mean nothing hurtful by these words, so I just smile and nod hoping they don’t notice my white knuckles as I grind a fist into my leg. If they only knew the mind-boggling stack of past failures it took to get here and the paralyzing knowledge that there are many more failures to come... the years of study and frustration to achieve a level of competence where I wouldn’t throw up at the thought of showing my work in public... the amount of research and planning it takes before I ever dip a brush in paint.


I love what I do, but there is no “magic” in the process. It’s simply work. Not the kind of work you do with a wrench or shovel. I’ve done plenty of that in my time. And not unpleasant work, but a continual task of study, experimentation, evaluation, and then application of a learned knowledge. It’s a skill… not a talent. The magic happens when someone stands in front of a painting and says something like, “I’ve been there” or “I can almost smell that water.” Now that’s magic!


I don’t deny that it’s possible (maybe even necessary) talent may play a part in the stages of artistic development. For as long as I can remember, I’ve had an obsession with drawing. Still, I didn’t understand much about it until I started studying the work and teachings of others who were highly skilled at the craft. To dismiss what any skilled craftsman or woman does as some whimsical gift by a higher power is an insult (though it’s almost never intended that way).


There will always be folks that disagree with me on this subject (though very few of them are professional artists), and that’s okay. I’m not really hoping to change anyone’s mind. These merely the ramblings of my own tormented mind (discussed in an earlier post). It’s fine that there is some mystery to art. It adds an element of romantic notion to what I do. But I’d much rather that romance be directed toward the finished piece than any mistaken enchantment in its creation.
 
 
Cathy's thoughts on the topic:
I am re-posting because it is a topic that I have almost posted about myself several times, but never been able to figure out quite how to do so without offending.  I get told that I am "so talented" often with both my photography and my artwork in recent years and each time it causes a bit of a clenching of my jaw.  I know it is a well meaning comment, but the term talent indicates that the skills you see before you are something that someone was born with, not requiring further development, and I know that is only a very small part of it.  And yes I am talented, but it is maybe 1% of what makes me the artist that I am.  As a matter of fact throughout high school I was little more than an average artist, but I enjoyed it and I pushed myself to improve through practice and seeking honest and constructive feedback and learning from those who were more skilled than me.  I have literally spent 20 to 40 hours a week for over 10 years learning my artistic skills.  I have messed up many drawings and deleted hundreds of thousands of bad photos, but through it all I have taken my 'talents' and learned and honed my skills, and honestly I still am still learning and still honing :)  I learn new things with ever work that I create.  Yes, it is nice to be talented, to have a natural affinity for something, however like most artists (or top sports figures, or world class musicians) talent will only take you a little ways by itself. To truly become a good or even great artist requires much more than talent - it requires sweat, tears, and MANY hours of hard work.  I once heard an art teacher say that they would much rather have one hard working student than ten talented, but lazy ones (and that the hard working one will usually go further with their art in the long run that the talented one), so go forth, work hard and prosper, with or without any natural talent!
 
My thanks to Jim for allowing me to re-post his article.

Scatter - Magpies - FINISHED

I am calling the magpies done:)

"Scatter" - 18"x16" - Scratchboard, Ink and Iridescent Medium
Black Billed Magpies

Updates on Works In Progress

Well last time I tried to sign in blogger was down, so I am glad it is working again. 

My art web site has officially now moved to http://www.cathysheeter.com/ and has a new color scheme and some other changes to the layout.  Please check it out and let me know what you think.  My photography will stay at http://www.aphelionart.com/ and hopefully I will get that too updated by early next year (not easy to sort through 500,000 photos on three different hard drives and decide which images are my best!)

I continue to have multiple art works on the go. 

I am getting close to done on the black and white portions of "Coming At Ya"  (36"x24") though still doing some 'tweaking' all over to get everything the way I want it.  I'm actually going to hold off coloring it as I have heard from an outside source that I was accepted into a show that I will need a large, impressive, black and white piece for, and I am not sure whether I will have time to make another one between now and that event.  I should hear officially in January (and I don't think my outside source knows 100%, so not expecting either way).  If it does not get into that show I will be doing some subtle color on it.

Anyways here is a picture from a last week (I have done a bit more since then, but it is snowing outside, so can't get a good updated picture right now).  Still a ways to go though.



"Coming At Ya" - Palomino Quarter Horse - 36"x24"























I also have been working on a piece with a couple of Black Billed Magpies.  While not really a favorite bird to many, I really enjoy all of the corvid family (crows, ravens, magpies).  Even though they are scavengers they seem to have a true sense of humor and intelligence.  While not as beloved as the birds of prey to me, I still really enjoy them.  I am temporarily calling this work "Scatter" as a title, but not sure if that will be what I go with.  Size is 18"x16" and it has been a bit of an experiment.  Not only is the background more 'contemporary' than my usual works, but it also has some iridescent medium added to the colored feathers, so they truly do have a bit of iridescence to them from different angles.  I was a little worried that it would make it look cheesy but it actually is quite subtle and nice I think.  It is not quite done yet, but it too is fairly close.



"Scatter" - Black Billed Magpies - 18"x16"























And when I need a break from scratching I return to my harris hawk wood burning.  Many people really like how this piece is going so I will definitely finish it, just not quite sure when :)  I find burning to be even slower than scratching and also shading large areas starts to hurt my fingers a bit.  I hope to finish it by April to possibly enter it into "Birds In Art"  Size is 18"x24"


"Landing Gear Engaged" - Harris Hawk Pyrography (wood burning) on birch plywood



















I also heard back that I will be included in the Colorado Governor's Show again in 2012.  I did very well at this show last year and am excited to be included again this coming year.  I believe the opening is April 28.

Progress on "Coming At Ya!"

This big board (36"x24") I started way back in May.  Sometimes I have to set aside these big boards and take a break on them and then work on some other stuff to get renewed energy and fresh perspective.  Anyways I am back at it and here is a couple of updates.